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  1. The subject matter of these plays and the subsequent development of related ideas in Kulish’ s later dramas — Narodnyi Malakhii (The People’s Malakhii, 1927), Patetychyna sonata (Sonata Pathetique, 1929), and Vichnyi bunt (Eternal Rebellion, 1932) — point to a direct link between the quasi-religious treatment of the revolution and the protagonists’ uncon- scious or semi-conscious desires for personal freedom, self-improvement, and self-realization (individuation in the Jungian sense), which are 1. As described by lurii Sherekh in his Ne dlia ditei (New York: Proloh, 1964), 80. Nataliia Kuziakina, Dramaturh Mykola Kulish (Kyiv: Radianskyi pysmennyk, 1962), 190.